The Montgomery Brothers-Groove Yard Artist: The Montgomery Brothers Album: Groove Yard Year: 1961 (Riverside) Label: OJC (1994) Total time: 39:22 Personnel: Wes Montgomery (Guitar) Buddy Montgomery (Piano) Monk Montgomery (Double Bass) Bobby Thomas (Drums) Tracks: 1. Bock to Bock (Back to Back) (Buddy Montgomery) 6:48 2. Groove Yard (Carl Perkins) 3:05 3. If I Should Lose You (Ralph Rainger/Leo Robin) 5:52 4. Delirium (Harold Land) 3:41 5. Just For Now (Buddy Montgomery) 5:00 6. Doujie (Wes Montgomery) 4:39 7.

Jan 19, 2016 - Bill Evans Trio – Portrait In Jazz (1959) [Reissue 2003] PS3 Rip SACD ISO DSD64 2.0 >1-bit/2.8224 MHz 51:46 minutes Scans included 2,2 GB or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Scans included 1,13 GB. The first of two studio albums by the Bill Evans-Scott LaFaro-Paul.

Heart Strings (Milt Jackson) 4:38 8. Free Ubisoft Keys there. Remember (Irving Berlin) 5:36 Wes Montgomery was reunited with his brothers Monk and Buddy on this 1961 Riverside session, which also features drummer Bobby Thomas.

The guitarist and his brothers are in great form throughout the session in spite of the less-than-ideal piano provided. According to producer Orrin Keepnews, Buddy Montgomery originally intended to split his time on the date between vibes and piano, but the failure of the motor on the former instrument caused him to spend most of his time at the keyboard. The highlight of the evening in the studio is a foot-tapping version of Carl Perkins' 'Groove Yard,' followed closely by a wild ride through Harold Land's 'Delirium.'

The leader contributed the soulful hard bop work 'Doujie.' The pianist wrote the driving 'Just for Now' and the easygoing blues 'Back to Bock.' The contents of this CD reissue, all of which are present within the 12-CD set The Complete Riverside Recordings, unfortunately doesn't include several valuable alternate takes later added to the boxed set. Dewalt Manual Dw733. Like most of Wes Montgomery's Riverside recordings, this release is an essential part of his discography and is highly recommended.

Riverside/Concord Recording date: December 28th 1959 Re-release date (Keepnews Remaster): March 4th 2008 Availabilty: CD, MP3 download, iTunes Bill Evans refused producer Orrin Keepnews' invitation to record a follow up album to his 1956 debut 'New Jazz Conceptions' for over two years, stating that he had nothing new to say. Auto Kaufvertrag Englisch. He joined the Miles Davis quintet, participating in, and took his time to plan his re-emergence as a leader in his own right. 'Everyone Digs Bill Evans' marked that return in 1958 but it was 'Portrait In Jazz', released a year later, that claimed his place at the forefront of jazz.

It is the first recording made by the now legendary trio of Bill Evans (piano), Scott LaFaro (bass) and Paul Motian (drums). The disc features two versions of 'Blue In Green' developed for 'Kind Of Blue' and it is revealing to note how the trio makes its own statement of the modal masterpiece crafted spontaneously by Miles Davis and Bill Evans in the original session. As Miles Davis noted: “Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down some clear waterfall.” And this is true again in the versions of 'Blue In Green' here; time stands suspended, a profound, harmonic peace has settled, now the more remarkable in the paired down shape of the trio. Bill Evans' chord voicings, adapted from Debussy and the impressionist composers, leave space that Scott LaFaro expertly and expressively fills. Bill Evans' own 'Peri's Scope'and the Cole Porter standard 'What Is This Thing Called Love' are stand out tracks from this point of view. Paul Motian's drumming is nicely in balance throughout.